Catalogue
Each course names its level on the swara ladder, lists what the student will be able to do at the end, and shows the full week-by-week syllabus before you enrol. Nothing is hidden behind a sales call.
Everything rests on this. Students learn to sit, breathe and find their shruti, then work through all fourteen sarali varisai in May…
Doubled swaras build vocal strength; the dhattu patterns build agility; the seven alankaras introduce the tala system properly. This…
The first real compositions, with sahitya. Students move from exercises to music — pillari geethams, then the swarajathis that begin…
The varnam is the spine of Carnatic training. Slow, demanding, and the single best measure of a student’s control. Expect this level…
Repertoire begins in earnest. Students learn krithis by the Trinity and Purandara Dasa, with attention to sahitya bhava — the meanin…
Improvisation. The student stops reproducing and starts creating, within the discipline of raga and tala. This is the level that sep…
Preparing for the stage: ragam–tanam–pallavi, thillanas and tukkadas, and the architecture of a full kutcheri — including how to wor…
Healthy singing from the ground up: alignment, breath management, onset, and a free resonant tone — plus solfège so the ear develops…
The ear catches up to the voice. Interval recognition, rhythm reading and sight-singing at a level that makes every later course fas…
Understanding chest, head and mixed voice, and navigating the passaggio without a break. Belting taught safely — the way it should b…
IPA-based diction across Italian, English and Latin, plus the stylistic vocabulary of art song, musical theatre and contemporary pop…
A serious working repertoire, memorised and performance-ready, with stagecraft and mic technique for both acoustic and amplified set…
Singing with other people: two- and three-part harmony, blend, tuning in just intonation, and the discipline of backing vocals.…
Targeted preparation for RCM, Trinity Rock & Pop or ABRSM singing grades, and for college and stage auditions.…
The skills a film song actually needs: singing in time with a fixed track, mic distance and dynamics, and matching the emotional ton…
Sung diction in three languages, for students who may not speak all of them — with transliteration, meaning and the phrasing habits …
The semi-classical middle ground: bhajans, abhangs, thumri-influenced film songs and devotional repertoire that rewards classical tr…
How professional vocal sessions actually run — headphone mixes, multiple takes, comping, punch-ins, and delivering consistent pitch …
The grammar of Carnatic music, taught alongside singing so theory never feels separate from practice.…
The 72-melakarta scheme — the most elegant classification system in any music — and how the janya ragas derive from it.…
Staff notation, key signatures, intervals, triads and basic harmonic analysis — enough to read a lead sheet and understand a chart.…